Artland Japan - Pintura Japonesa

Pintura Japonesa

Definición
La palabra pintura Japonesa fue creada en el tiempo Meiji (1868-1912) para separar las pinturas creadas en Japón y las pinturas importadas (por ejemplo pinturas al óleo). La mayoría de la gente quisás piensa que las pinturas Japonesas son esas creadas por artistas Japoneses con los dibujos de la Montaña Fuji o los árboles de cereza. Pero la verdad es que la característica principal es el material usado en las pinturas.

Materiales
1. Colores
Pigmento de minerales (piedras preciosas naturales o conchas) mescladas con agua y goma hecha de piel de animales

Azul: ultramarino (copper carbonate in copper mineral)

Verde: verdigris (malachite)

Rojo: cinnabar

Marrón dorado: tiger's eye

Negro: obsidian

*Los ejemplos mencionados arriba son las piedras usadas para los colores básicos. Muchas otras piedras y conchas son usadas depende del color que se necesita..

Capa de la mescla de agua con tierra o concha pulvorizada
(Picture)
Ocre: tierra hecha de mineral de hierro erosionado
Rojo: tierra conteniendo óxido de hierro
Burnt sienna: tierra conteniendo oxido de hierro y manganeso
Blanco: concha pulverizada
(Picture)

Hoja (oro, plata, cobre)
Gold, silver, or copper metal sheet.
Powdered Leaf
(Picture)

2. Canvas
Silk, hemp paper, or Japanese paper
(Picture)

3. Tools
The brushes used for Japanese paintings are traditionally used original ones. There are many types and the material used has a wide variety, but the main category is made of four types (brush for lines, for shades, for coloring, and wide ones for coloring large spaces).
(Picture)

Essence of Japanese Painting
Traditionally, western art has used face, or surface, as a way of expression. By drawing the face and the light on the motif, it becomes possible to express the reality. Lines are something that appear on the border of two faces, and are understood as a result of gathering faces to express the reality of the motif.
On the other hand, traditional Japanese paintings have used lines as a way to express the art. This is an oriental concept towards art and is shared in many scenes of art in asia. The traditional way of thinking is that motif is first mentally filtered inside the artist, and the artist uses lines as a way to express the fundamental characteristics of the motif. Therefore, what is not essential tends to be deleted in the process of filtering the motif inside the artist.
The fundamental essence of Japanese painting was brought up by combining this concept with the original spacing of the blank born in Japan.

Process of Japanese Painting
Making the hide glue
1. The hide glue is soaked in water for a while and then simmered.
2. The simmered hide glue is strained using cloth.

Melting the powder pigment with hide glue
1. Hide glue is added to powdered pigment and is mixed using fingers.
2. Water is added depending on the painting

Making the canvas with Japanese paper
1. Japanese paper is wet with water by using a brush
2. The wet paper is stick to the panel by using glue and then dried under shade

Application of hide glue mixed with alum
1. Hide glue mixed with alum is applied to the canvas to prevent the blot of pigment

How to use leaf (gold, silver, copper)
1.

How to use powdered leaf (gold, silver)
1.